Book’s Beginnings

July 9th  (prologue)

July 9th, for me, is a memorable date. It was the day I was married, in a fairytale wedding, at a castle in Scotland. It’s a date that has either lifted my spirits or fell hard upon me, depending on the year; the time of my life. I was married for eleven years and have now been separated for seven. The last few years I’ve been in the clear; have managed to maintain benign thoughts as July 9th comes and goes. I’ve done the work, I’m good. That is, until today. July 9th now screams for attention — a wounded day that cares little about love or pain, or what it’s asking of me. July 9th is making sure that I will never again be able to treat it as just another day.

Pink liquid is being pushed into my veins. It’s not how I pictured it – like in the movies where you sit for hours hooked up to an IV, reading books and magazines or chatting to your neighbour. I brought my computer along, thinking I’d have two uninterrupted hours to do some work. Instead, nurse Jackie (her real name) sits prepped before me. She’s working the first syringe with two more on deck. We’re playing a game of deception. The plastic tubes look like they’re full of Kool Aid but it’s medicine that’s being pumped into me that will kill the cancerous cells inside of me. It will also kill healthy ones. I don’t feel sick but from this day on, for the next several months, this ‘medicine’ will turn me into someone who looks sick — bald, skinny, powerless. As it saves my life, it will also zap the life force out of me and with that knowledge, I’ll struggle to define who I am in all of this. I don’t know if I’m ready for this level of acceptance. Again. Why again? No this isn’t a cancer that’s returned, not literally. Just another challenge that’s come at me, out of the blue. I’m trying to remember the feeling of doors opening. I must go back four years to the last time I tried to remember who I am and what’s important to me. Then, it was brought on by an event that shocked me out of complacency. I thought I got it – I thought I was on the road to some smooth sailing. I guess not.

 

Annie Griffiths  (March 13, 2012)

I’m sitting on a balcony seat at the Jack Singer Concert Hall feeling giddy. Finally, I’m in the same building as one of the reputed photojournalists I’ve been reaching out to over the last several months.

A Camera, Two Kids and a Camel is the name of Griffith’s sold out talk. It’s also the title of her book, the one I just bought in the theatre foyer. She has spent three decades working as a photojournalist and she did it, amazingly, while raising two children. She’s done exactly what I had once envisioned myself doing about twenty years ago. I thought I’d be the one, baby on back, camera in hand documenting cultures around the world. Instead, when the time came, my camera bag was put down; replaced, for all practical purposes, with a diaper bag.

Griffiths opened her talk by showing a photo of her first assignment as a student of photography, describing it as “the day I became a photographer;” explaining she was “in heaven” as she took the image of a tree bathed in light. In her book she writes, “It was the first of a lifetime of days when time stood still and I became far less important than what I saw in the camera’s viewfinder.”

I felt a pang listening to Griffiths. I have few regrets but in that darkened theatre in Calgary, in the very city where my photographic dreams began; as her experiences were unveiled, I was reminded of motivations long forgotten. Griffiths’ words during her talk wondrously echoed the themes I expected to be addressing in a book about women photojournalists. She spoke of the tool the camera can be for communicating the resiliency of women in the world saying by doing so, “we can change the world”. She spoke of human connections and a certain “intimacy” that arises with strangers by virtue of having a camera in hand.

At one point Griffiths talked about an assignment she had in Nebraska on a family ranch. Staying as a guest, she was awakened one morning by the light, a sunrise so beautiful and luminous she grabbed her camera and tore out the door to get the shot. After hooting and hollering over the incredible image she had captured, Griffiths then noticed a line of cowboys also taking in a first in a lifetime scene – that of a National Geographic photographer shooting in nothing but her underpants. Her message, and one she also communicated to a crowd of Calgary school children yesterday afternoon: “Find something in your life that excites you so much, you run out of the house, forgetting to put on your pants.”

There are more women on my list with whom I hope to meet. I couldn’t have chosen a harder ‘breed’ than the photojournalist to try to pin down, in time and location. There were other things to consider.  I was telling these women that I was researching a book on women photojournalists. It wasn’t a lie. I intend to write that book. I’m just not yet sure of the concept or even what it is I’m trying to illicit from them. Is it bad, I wonder, to admit that this is a personal quest that’s as much about me reclaiming my sense of self as it is about them and the work they do? Must these be inseparable?

There was something about the time I worked as a photojournalist that sticks with me; never quite leaves me alone. It arrives in flashes, the way a vivid dream haunts a day causing emotions to rush as meaning makes an escape. Pursuit of an explanation has, until now, felt futile because it doesn’t ‘fit’ into the composition of my days. I’m meeting these women hoping they can do the impossible — hold me in a dream so I won’t ever again forget what makes me feel alive.

 

Zurich, Switzerland. 1999-2009. Position: Hausfrau

I lose myself in the average day. In a world that presents no apparent threat, I’m dysfunctional. Mind numbing tasks cause me to forget myself, leave body parts strewn throughout the house. Chores then become an act of survival, my female form eventually taking shape as the day progresses. Once I find my legs, I managed to walk throughout the house collecting things. Toys introduce an ear; girl’s pants, a nose; newspapers unveil a breast. Just in time for my husband, as he walks through the door at the end of the day, I find my fingernails, eyelashes and lips. I come to him, slightly rising to my toes and brush my lips with his – careful not to let them loosen and fall to the floor. I had clumsily made order of things but the puzzle was never right. Pieces were always, always missing.

SUV’s pull up to the school; kids pile out and hours later they all pile in again. What happens in between?  What happens in between the drop off and pick up, while my husband walks through a parallel universe, gone to work by the time I  awaken. I’d moved to Switzerland but inhabited yet another foreign territory, that of a hausfrau and of motherhood and I was unsure of my footing.

I recall the early days, wondering if this would be the day someone asks me where I am from. If so, I’d explain that I’m from Canada and when the kind mother replied saying how beautiful it is there, I’d agree. From one beautiful country to another I’d travelled, or so it seemed… if you don’t count the journey in between.

Perhaps she’d ask about my husband. Wonder if he’s Canadian or Swiss. But I’d be getting carried away, letting my imagination run wild at this point. The Swiss don’t pry; aren’t prone to small talk either. But, I’ll forge ahead, imagination usurping culture.  I’d tell the woman that I met him in South Africa. Surely here, the conversation would fall silent and I’d ache for continuity. Is it so hard, I’d wonder, to say such simple words?  If the ever so kind mother would just find it in her heart to say, “Oh, isn’t that interesting,” my feet would fill the shoes around them, trust the ground beneath the soles and I would, just like that, be standing right there in the world again.

What happens in between? In between the story I hold inside and me asking you what bank it is that your husband works for.  Inhaling deeply, I feel like my 8 year – old rushing in the door at the end of the day head filled with a tangle of thoughts. With distracted mind, I capture her words as they fly in the air; hang them on a line, like laundry needing to be dried and sorted —put in its proper place. But, I couldn’t expect that from a stranger – such hard work for my words. I’d choose the easy way out – blame language or culture for our awkward moment and our words would become so very practical.

With cold toes and a shiver settling in, I’d say good-bye to my daughter outside the school, and as I catch another mother’s eye, I’d smile. Maybe she’d be the one who surprises; opens a porthole for this incongruent being; pulling me ever so gently through. Yes, she’d be the one to ask: “What is it you did in such a place?” Allowing for that space where the language of my past can be interpreted. Encouraged, this breathless child would speak, relying ever so much on her to understand what the hell I was talking about.

I was a photographer for a year on a newspaper during the country’s first democratic elections.

“Did you see anything awful?”

Socks fly out of my mouth.

“It’s a pretty dangerous place, isn’t it?”

Underwear and bras catapult from my teeth

“Were you at all frightened?”

Shirts and blouses swirl in their glory above my head; a tornado of laundry threatens to lift me off the ground.

The school bell rings with each article stopping mid-flight; hanging suspended in the crisp fall air. She walks away, a child tugging at her sleeve and all comes tumbling down.  I gather it up, the costume that covers my life, grateful, for a time, that it keeps me safe and warm.

 

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What’s Happened To Me?

For those of you who’ve been orbiting this adventure and catching a few FB posts, it may not yet be clear what exactly it is, that I’ve been up to. The same, in a sense, goes for me. 😉 The path hasn’t always been clear but I’ve been following one, nonetheless, that takes me back to a time in my life when I worked as a photojournalist. It’s essentially to regain a sense of being in the world that I, for some reason or another, let slip away. This is why you’ve seen FB posts of photojournalists, whom I’ve met over the last couple of years, doing amazing and incredible work all around the world.

Anyway, this week, I happened across a few articles that I wrote some eleven years ago while living in Switzerland that, quite astonishingly, remind me of just how long I’ve been searching to “regain the spirit.” I kind of throw myself under the bus with this piece entitled, “What’s happened to me?” but here goes.  At the time of writing, I was regularly contributing to a parenting magazine called “The New Stork Times” (yes, you read that correctly). It’s not going to make it into the pages of f/16 but it’s entirely relevant and I feel compelled to post it. 

Here’s a quote for ya, “Somewhere, at some time, there has to be an integration of who we once were and the life we are now leading”.  I said that, not yesterday but over a decade ago and in the context of this journey, that has become f/16, it gives me goosebumps (and a bit of a kick in the pants). If you enjoy it, I may dig up a few more…..

Grand San Bernardino weeks before leaving Switzerland

Grand San Bernardino weeks before leaving Switzerland

From the September 2003 issue of The New Stork Times:

Where am I? I’m not talking about the physical surroundings, I’m talking about me, the person inside a body that is simultaneously taking on house, kids, kindergarten, playgroup, extracurricular activities, marriage etc. Remember those days when you were convinced that all the experience you were gaining pre-marriage, pre-kids, was going to get you through the tough stuff later on? That the life-enriching smorgasbord of a world that you were feasting upon was going to make you one heck of an interesting person and a kick-ass Mom? Then the family whirlpool begins: you’re adhering to feeding times, nap times, completely preoccupied by the hours of sleep they’re getting and the one’s you’re not. Life is eddying about you while you lay sprawled over the plug hold clinging to a personality that’s being sucked down the drain.

“So what do you guys do — I mean in your spare time?”

My husband and I were on our first weekend away without our kids. I hadn’t been away since I was nine months pregnant with three year old Jemima. An American dinner guest at the wedding we were attending in Lugano, was curious about our life in Switzerland.

“Like, what are your hobbies?”

My mind went blank. Surely, I thought I could think of something to say. I heard myself mutter. “We have kids. Umm, two. They’re young…five and two.”

He nodded understandingly but my answer registered on his face as being quite insufficient.

Surprisingly, to me, my reply was enlightening as I struggled to think of something I, myself, enjoyed. I started to feel like a high school graduate applying for my first ‘real job’ with an embellished Curriculum Vitae. Hobbies, hmmm, well, I like to read (not a lie, I’ve gone through seven different books just this week, who has to mention the author’s were Dr. Seuss, A.A. Milne and Lewis Caroll. I love travel (I live in a foreign country doesn’t that speak for itself?) Skiing. (Haven’t skied upright without a kid between my legs for five years but have mastered this backbreaking technique). Photography (drawers full of snaps of my kids that will some day be put in an album). Oh yeah, and let’s not forget —learning about other cultures — even if it is an every day survival tactic living here in Switzerland.

The guest went on to talk about his horseback riding experiences and I went into hyper self-analysis.

What’s happened to me? My kids are at an age when it’s getting easier to do things. The routine is changing. They’re capable of so much  more and I, as a Mom have to pick up the ball and move into new territory, so to speak.

I used to dread even the thought of a holiday. Honestly, with all the challenges of adapting to a new country with small children in tow, why would I want to take this show on the road and go to yet another new place? I’d much rather stick to my house and work at the somewhat fragile roots I’ve planted. I wasn’t proud of this attitude but quite frankly, it’s where I was at.

But, now I realize things have got to change. This is when it should all kick in — where we draw upon life as it was rather than gripe over how much life has changed since having kids. Somewhere, at sometime, there has to be an integration of who we once were and the life we are now leading.

Am I getting too philosophical? I’m up late. It’s when I think best. It’s when I think! I’ve taken to enjoying this time after all have gone to sleep and the house is quiet. I absolutely, with all my heart appreciate a silent house. Original thoughts fight for their rights inside my head. As I gradually concede the worries of the day, flow away. I’m tempted to veg, to turn on the TV and not think too seriously. Contemplating my options. BBC, CNN..a German flick to see what little bit of the language I can now actually pick up, I eventually put down the remote.

I think about what I remember of family life as a kid. Mostly, I remember the holidays. The day to day stuff is mostly a blur but the family activity is the manna that enlivens my memory. Living in a new country is, in a sense (to steal a phrase), like being a perpetual tourist*. If only we could adopt that curious, fresh perspective and apply it to every day; convey that sense of trying something new to our kids without focusing only on our limitations. Somewhere within all of that emerges someone I’m familiar with; someone who isn’t doing all the things she once did but who has regained the spirit that made her want to do them in the first place.

*”Perpetual tourist” is term used by Paul Bilton in his book of the same name, ‘The Perpetual Tourist‘ — published by Bergli Books

 My book on Swiss Culture: Culture Smart: Switzerland

f/16

9603907-camera-lensf/16, is a memoir. It began as a book about women who are photojournalists but evolved, out of necessity and the encouragement of some incredible people, into a narrative that also includes me. And, so too has the title evolved. f/16 is a setting on a camera’s aperture. There’s something known as the “sunny f/16 rule” that assists with correct exposure of difficult subjects. This aperture setting also allows for increased depth in an image. f/16 also represents the sixteen women who are photojournalists whom I spoke to over the course of a couple of years. They are the pillars of this book, holding their focus on the world while I, in a sense, had to learn to read the light, all over again. It took me awhile to figure out my own approach to writing about women in the world (the photographers and those photographed), but I have. Today, I thought I’d share the prologue. Just days before the idea for this book began to take hold, this is what was going on:

Prologue

Dragging the heavy cardboard box outside into the sunshine, I struggle to remember what’s inside. This was the box left behind, stored away in a friend’s basement after packing our belongings and sending them off to Canada. Kathrin gently reminded me of its presence when I arrived. ‘Perhaps while you’re here, pick a sunny day, take that last box outside and go through it to see what you need’. I’m staying at her home near Zurich while my two daughters visit their father who still lives here in his native Switzerland. The box had been taking up space in their basement for a year and a half now. She was right, it was time for me to deal with it.

box 3With a knife I slice open the packing tape and tentatively peel back the flaps. On top is a decorative hat made by one of my daughters in art class. This must be the box of things too fragile to ship, I’m thinking as I gently remove the hat, wondering what lies beneath. Peering in I find, layer upon layer, the many paintings and drawings made from kindergarten through grade school. The ones I could never throw away.

Beneath the art, at the box’s core is something solid, heavy. It’s a black case that I immediately recognize. I remember. The strength mustered to drag the box into the fresh spring air dissolves as I anticipate the case’s contents. Sitting down on a cement wall, perching its bulk on my lap, I gently unzip its sides, causing photographs to fall to the pavement at my feet. Precious images of little girls in princess costumes, riding bicycles and holding pet rabbits; those of daddy and his daughters with the majestic, powerful Alps as backdrop splay around me. Mixed in are other images. One of my ex-husband in the mountains of Lesotho in Southern Africa from the time we’d met. Others, a right-wing Afrikaaner with arms in the air, moments before his execution, and one of me in a flack jacket flanked by South African soldiers, confront me.

Finally, scattered on the box’s floor are heaps of photos and negatives, all taken at any given time over the last eighteen years. After I remove each one individually, I sit motionless, staring at the chaotic stack in front of me — an abandoned game of cards after all hands have folded. If only it had been a game. This was the box of things too difficult to bring forward; it was all that was just too much. Moving ahead without them for a time created a buffer, one that allows me now, one image at a time, to endure. In a long game of solitaire I hold each photo for a time, allowing memories to wash through me. By recognizing pairs and sequences that no one else could have possibly seen, I am bit by bit, being pieced back together. Not until I’m finished do I begin to understand, it was I who held the camera. There was someone who existed outside the frame of all of these photographs who was strong enough to stand in the world bearing witness to all she loved and all she feared.

Putting most of the photos neatly back into the box ready to be shipped, I choose several of my kids with their father, some of the children alone, and a handful of my ex father-in-law who recently passed away.  I put them in a large envelope. Tomorrow, I’ll give them to my daughters, to give to their father. I don’t know why. It’s the only hand I feel I have left to play.

Please also visit the book’s Facebook page: https://www.facebook.com/WhatItMeantToMeMemoir?ref=hl

It Matters

I’m not going to tell the whole story here — these pages are not meant for this.

From the onset, I didn’t want to make this book about my divorce — no messy details I said. This is going to be about my life as it is becoming; not what it was and certainly not what someone else is trying to make it. And, I stand by that. Today though, I walk the edge.  I’ve awoken to more s**t — stuff from my Ex I thought was of the past. Legally, I’m trusting things will be OK but it’s been enough for me to question how I will accomplish all that I need to. It’s a stumbling block that’s all.

I’ve been writing today about the amazing photojournalists I interviewed over the last few weeks. Keeping focused on their words helps ground me but I still have more to meet; many more stories to pull together. Continue reading